Chapter 061
The meeting began at 10 a.m.
Before the meeting, each of us submitted five works that we thought had the potential to become hits from the 300 scripts we had read over the past month, along with analyses of the reasons and elements that could make them successful.
I quickly scanned Oh Sang-min and Joo Han-young’s materials with my eyes.
Some of the scripts they had chosen overlapped with the ones I had selected.
I had chosen mine using information about the future that I already knew, but the fact that the two of them had independently selected the same works from 300 scripts through nothing but analysis was rather impressive.
“You’ve all worked hard reading scripts for the past month. As I mentioned earlier, we’ll select five scripts again from among the ones you presented today.”
Kim Eun-kyung explained that the five scripts selected this time would be ranked after a public pitching session attended by the CEO and other team members, and then the winning projects would be made into movies.
That was more or less what I had expected would happen.
“All right, shall we take turns presenting?”
The first to present was Joo Han-young.
“The first work I selected is a screenplay titled ‘The Probability of Snowing on Christmas.’
Every year, seasonal movies targeting Christmas are produced.
‘The Probability of Snowing on Christmas’ is a gift-like story that contains warm themes such as snow, reunion, forgiveness, hope, family, and lovers, making it suitable for that purpose...”
‘The Probability of Snowing on Christmas’ was a work that both Oh Sang-min and I had selected as well.
Later, the story would be revised by lowering the ages of the main characters considerably, and it would actually be released in time for Christmas 2007.
It would also achieve fairly decent box-office results.
Joo Han-young continued presenting her other selections, including one horror movie, two thrillers, and one romantic comedy.
Next was Oh Sang-min’s turn.
Oh Sang-min had selected ‘The Probability of Snowing on Christmas,’ ‘Escape of Fury,’ one thriller, and one comedic spy movie, choosing scripts from a variety of genres.
Unlike Joo Han-young, however, most of the movies he had selected were large-scale blockbusters with huge budgets.
“Lastly, there is ‘Crossing the Line of Fire,’ a screenplay written by Director Go Chang-seok.
It is a story about the love, friendship, and betrayal of four men and women against the backdrop of the Korean War.
Director Go Chang-seok already has a previous work that surpassed six million viewers thanks to its solid story and direction.
There are also high expectations from the public for his next project.
So, if we can successfully cast recognizable leading actors...”
It was still a time when the term ‘tentpole’ was not particularly familiar, but the concept Oh Sang-min was describing was the typical structure of a tentpole movie.
Unfortunately, however, Director Go Chang-seok’s ‘Crossing the Line of Fire’ was never made.
I couldn’t remember the details perfectly, but I did remember rumors circulating in 2007 that the movie ‘Crossing the Line of Fire’ was going to be produced.
However, after several blockbuster movies released in 2006 and 2007 failed miserably at the box office without even reaching their break-even points, the movie by Director Go Chang-seok, which was rumored to have a production budget of 10 billion won, was eventually canceled midway through production.
Well, it wasn’t as if that was the only movie that had been canceled...
And finally, it was my turn.
Like the other two, I had also selected ‘The Probability of Snowing on Christmas’ and ‘Escape of Fury,’ along with one thriller and one comedy.
But in truth, those movies were merely supporting acts for the final movie I was about to introduce.
The real one started now.
“And the final work I selected is... ‘Family Scandal.’”
‘Family Scandal’ was a movie that delivered both laughter and emotion through its well-structured story and took the Korean theaters by storm in 2007.
**“Most importantly, this movie can be produced with a budget of around 2 to 2.5 billion won.
Even if it doesn’t perform particularly well at the box office, the relatively low production cost means we can significantly reduce the risk.”**
At this time, the average production cost of a Korean movie was around 3.5 billion won.
In reality, this movie, which was released in 2007, would achieve enormous box-office revenue despite having a low production budget of only 2.5 billion won.
It would also provide many valuable lessons to the struggling Korean film industry at the time.
After all the presentations were finished, Team Leader Kim Eun-kyung, who had been quietly listening the entire time, finally spoke.
“You’ve all worked hard reading and analyzing the screenplays.
As I mentioned earlier, we’re going to make a final selection of five screenplays from the ones you chose.”
Team Leader Kim Eun-kyung first placed ‘The Probability of Snowing on Christmas,’ which all three of us had selected, and ‘Escape of Fury,’ which Oh Sang-min and I had both chosen, on the shortlist.
“And for the remaining three spots, let’s each choose one of the works we selected.”
Joo Han-young put the romantic comedy ‘Love at Twelve’ into the final five.
After some consideration, Oh Sang-min included Director Go Chang-seok’s ‘Crossing the Line of Fire.’
I chose ‘Family Scandal’ without hesitation.
And just like that, the final five screenplays were selected.
In truth, ‘Family Scandal’ alone would attract as many viewers as all the other movies combined.
So, as long as ‘Family Scandal’ was selected, I didn’t particularly care which other movies were chosen.
“Good.
From now on, we’ll spend the next month strengthening the overall production materials for these final five projects.
Then, one month from now, we’ll conduct the final pitch in front of the CEO.”
The meeting ended there.
We then added detailed information to our respective projects, including rough budgets, potential casting choices, and suitable directors, and began preparing in earnest for the final pitch one month later.
Even as time passed in a blur, I arrived at the café where I had arranged to meet Ma Sang-hee and discuss the next projects for Gil Bo-young and Moon Hyun-bin.
Ma Sang-hee and Gil Bo-young, who had arrived before me, waved happily when they saw me.
“Oh?
Noona Bo-young!
You came too?”
I hadn’t expected to see Gil Bo-young, so my voice naturally became more excited when I saw her.
“Yeah.
I’ve been a little free lately, so I came along.”
“Oh, right.
Your filming is almost finished, isn’t it?”
“Yeah.
Only the ending scene remains in November.”
Gil Bo-young smiled comfortably.
“By the way, I hope we didn’t drag you out on your day off.
Chang-soo said you’ve been so busy that your face has become a complete mess.
And now that I see you... he wasn’t exaggerating.”
Ma Sang-hee clicked her tongue as she examined my face from different angles.
“Ah, well, it’s not that bad.
Ahem...”
No, seriously, what was wrong with my face...?
Feeling awkward, I lightly touched my face.






