Chapter 65

Chapter 65

“Would you like to order?”

A server carrying a tray asked me.

“Ah, I’ll order once the person I’m meeting arrives.”

The place had such an old-fashioned, classic atmosphere that it felt more like a traditional coffeehouse than a modern café.

Just as I looked down at my phone to check the time, it vibrated.

[I'm sorry. My part-time shift ended late, so I think I'll be about thirty minutes late.]

It was a message from Jo Aram, the writer of Timeless.

Rather than spend thirty minutes feeling the server’s eyes on me, I figured it would be better to order first.

I raised my hand, called the server over, and ordered an iced Americano.

While waiting for Jo Aram, I took out the script for Timeless that I had brought with me and slowly began reading through it.

It was a script I had already read more than ten times.

By the time I reached about halfway through, the bell attached to the entrance rang with a cheerful ding~.

A woman in her mid-thirties appeared through the open door.

She was small, with a worn bag hanging from one shoulder and a loose hoodie jacket.

I instinctively knew that she was Jo Aram.

Seeing her glance around the café, I stood up and asked,

“Excuse me, are you Writer Jo Aram?”

Jo Aram nodded almost like she was bowing and hurried over to me.

“Ah, Producer Min Gibaek?”

“Yes. Nice to meet you. Please, have a seat first.”

“I’m so sorry. Of all days, the part-timer who was supposed to take over my shift showed up thirty minutes late today... And the traffic was terrible too. I swear I got caught at every single red light.”

Perhaps because she felt terrible about being late, Jo Aram kept bowing her head apologetically.

“It’s fine. Really.”

When I smiled to reassure her, Jo Aram looked deeply relieved and continued excitedly.

“Ah, I really never expected this. Actually, I had already given up. But when I got your email, I thought I was dreaming at first... Haha... I even went into the bathroom, washed my face, then checked the email again. Haha...”

Unlike her writing, which practically dripped with sensitivity and delicate emotion, Writer Jo Aram was an extremely lively woman.

“Anyway, I read the script carefully. It was really impressive.”

At my words, Jo Aram’s expression once again filled with emotion.

“Th-thank you. Thank you so much. Then, perhaps we can discuss the contract in detail... Ah, who are you thinking of for the director? Or has the director already been decided?”

With excitement in her voice, Jo Aram fired off question after question.

Ah, the contract...

It had been difficult to explain the whole situation through email, so I had simply told her that we should meet and talk.

Apparently, she had misunderstood and thought this meeting was about signing a contract.

Seeing just how hopeful she looked, I found it difficult to speak.

Jo Aram quickly scanned my expression.

“Wait... Was asking to meet me not about the contract?”

“Ah... Well... We’re not quite at the stage where we can talk about a contract yet...”

Her eyes immediately wavered in confusion.

“...Oh. I see... Then why... why did you ask to meet me? Were you going to give me some feedback?”

“No, it’s not exactly feedback...”

Only then did Jo Aram seem to understand the situation.

A cynical smile appeared on her lips.

“Or are you going to tell me it has potential, so I should revise it and submit it again?”

Watching her react as if she were all too familiar with this kind of situation, I hesitated, unsure where I should even begin explaining.

“Ha... I knew it would be like this... A contract? For someone like me? What was I even thinking...”

Her voice had already turned self-deprecating.

“Writer Jo, that’s not it. Your script really is excellent. That’s why I...”

“Excellent? You’re saying it’s excellent, but you still won’t sign a contract?”

“That’s... Let me explain...”

Jo Aram quickly cut me off as though she had no desire to hear any more.

“Forget it. I already know what you’re going to say. Ha... Do you think this is the first or second time this has happened to me? I had some expectations because Big Picture is at least a fairly well-known production company, but asking me to revise the script before even signing a contract makes you no different from those other scumbag companies.”

She wasn’t wrong.

Asking a writer to revise a script before even signing a contract really was scumbag behavior.

“I’m sorry... I should have explained the situation before asking you to come out here. But this matter has nothing to do with the company.”

At the words nothing to do with the company, Jo Aram frowned.

“What do you mean? You clearly said you were from Big Picture’s Planning Team...”

I explained to Jo Aram how I had come across her script and what the current situation was.

After hearing everything, she asked,

“So... the other team members are against it, but you personally liked the script enough that you contacted me because you want to push it forward, even if that means revising it?”

Instead of answering, I nodded.

Jo Aram remained silent for a moment before speaking again in a heavy voice.

“I’m sorry for calling you a scumbag just now... Anyway, I sincerely appreciate that you liked my script...”

She paused.

“But... I don’t want to do it.”

“Writer Jo, please listen to me a little longer first...”

“No. The truth is, I wrote this script while thinking it would be my last attempt...”

She lowered her eyes.

“I decided that if this one failed too, I’d give up everything and go back to my hometown.”

There was no longer any cynicism or energy in her voice.

Instead, I could almost feel the exhaustion of her life as a writer.

Jo Aram said that more than ten years had passed since she first decided to become a writer and started writing, yet she had never once managed to sign a proper contract.

“When I was younger and didn’t know any better, I even spent one or two years revising scripts without receiving any payment. But... eventually I realized that wasn’t right...”

Of course, she knew that freelance producers were often in situations where they couldn’t immediately pay writers.

She also knew that unless she kept writing scripts like this, she wouldn’t even get the chance to create another opportunity for herself.

That was why she had reluctantly continued writing, even while hating it.

But all she ever received in return was endless waiting without any promise of what would come next.

Even if things are hard now, someday my efforts will definitely bear fruit...

Someday, better days will come...

She had repeated those words dozens of times every single day, almost like a spell.

But eventually she realized that this industry wasn’t one where effort alone guaranteed success.

And even after realizing that, because she still couldn’t let go of her lingering attachment...

Just one more time.

Only one last time.

She kept telling herself that.

And somehow, she had already reached the age of thirty-five.

“I really... need to stop now. No, I have to stop.”

To keep writing, she had only taken the bare minimum number of part-time jobs, earning just enough to survive.

At her age, instead of being able to give her parents allowance money, there were times when she got sick and couldn’t even work her part-time job.

When that happened, she had no choice but to ask her parents for money instead.

I need to quit now...

I really need to stop...

She had been telling herself that for years.

But every time she finally decided to give up, she would win some small writing contest.

Or people like me would appear, saying they enjoyed her script and offering a hand while telling her they should try their best together.

And because of that, even though she already knew it probably wouldn’t work out, she could never completely let go.

“So I’m not doing it. Please don’t try to stop me...”

As I listened to Writer Jo Aram, I suddenly remembered a conversation from before my regression.

It had been with Ha Sangdo, the CEO of the film company Seungseungjanggu, after our final project had collapsed.

“Yeah, hyung. I’m sure you’ll make a comeback someday. But even when you do, don’t call me.”

“I’m leaving the film industry now. You know I’ve done everything I could.”

“If you call me, I think I’ll waver again. So please... don’t call me.”

Nothing could be guaranteed.

Just hang in there a little longer.

Just work a little harder.

Just revise it a little more.

Then surely something good will happen.

I knew better than anyone that promises without any certainty behind them were nothing more than torture disguised as hope.

“Writer Jo, did you know something?”

At my sudden words, Jo Aram blinked at me, looking confused by the abrupt change in the serious atmosphere.

“Know what...?”

“Your writing and your personality are completely different.”

“What do you mean?”

“Your writing is incredibly calm and delicate, but you seem really impatient and hot-tempered in person.”

I smiled as I said it.

Only then did the corner of Jo Aram’s mouth rise ever so slightly.

For the first time, the rigid expression on her face cracked.

“I didn’t ask you to meet me because I wanted to torture you with some vague hope that might never come true.”

I added that the two things I hated most in the world were passion pay and giving people false hope.

Jo Aram awkwardly cleared her throat.

“You still look pretty young, yet you talk like someone who’s already suffered through every hardship the world has to offer... Ahem...”

She trailed off awkwardly, then continued.

“Fine. If this isn’t about giving me false hope, then what exactly are you trying to say?”

I looked straight at her.

“I want to buy exactly one month of your labor.”

“What does that... mean?”

Jo Aram looked completely confused again.

“Exactly what I said. I don’t need a long-term commitment. Just one month.”

I continued,

“You’re already working part-time jobs, right? Think of this as another part-time job and spend exactly one month revising the script with me.”

I reached into my pocket and pulled out the envelope I had brought with me before coming here.

I placed it on the table.

“This is one month of my salary.”

Jo Aram stared at me in obvious shock.

Producer Choi Moonho and I had both been victims of countless scumbags in this industry.

I had absolutely no intention of becoming one of them myself.

“I know this is unexpected. But right now, this is the only way I can think of to show you how serious I am.”

Jo Aram’s eyes trembled.

“I think... this is the first time...”

She said that everyone had always demanded passion and determination from her as a writer.

And she had always thought that was only natural.

After all, it was her writing.

“It’s not simply about the money. I think you’re the first producer I’ve met who tried to show his own determination as well...”

Jo Aram thought for a while before finally speaking.

“Okay. One month.”

Her eyes met mine.

“I’ll trust you, Producer Min, and revise the script.”

Her gaze was now burning with passion.

“Thank you. I’ll do everything I can to make sure your effort doesn’t go to waste.”

And so, for the next week, I met Writer Jo Aram every day after work.

We discussed the direction of the script revisions late into the night, often without even realizing that dawn had arrived.

At first, we sometimes clashed.

I suggested minimizing the futuristic setting of a society fifty years in the future, as well as reducing the science-fiction elements involving the time machine, and instead focusing the story more heavily on the male and female leads.

Jo Aram didn’t agree with me at first.

“But these settings are the core elements of the story. If we handle them badly, the entire structure of the story could collapse.”

“Of course. I completely understand what you mean.”

I knew very well that the thing writers hated most was someone saying, ‘It feels strange, so just change it,’ without offering any actual alternative.

So I patiently explained my thoughts to Jo Aram step by step.

“That’s why I thought about another approach.”

I leaned forward.

“What if the story starts from the moment the protagonist comes from the future into the past—which is our present—to save the woman he loves?”

“Wouldn’t that solve most of the problems caused by all the worldbuilding in the opening section?”

Once I presented a specific alternative, Jo Aram fell into thought.

Her eyes moved rapidly as ideas began forming in her head.

“I think that could work.”

Her expression slowly brightened.

“If we do it that way, we can reduce how much we need to show of the world fifty years in the future, and we can also scale back the time-machine setup...”

Her eyes sparkled.

“And then... wait, if we do that...”

As though a blocked stream of ideas had suddenly begun flowing again, Jo Aram excitedly started talking without pause.

Comments(0)

0/3000

No comments yet. Be the first to share what you thought.

Related Novels